Science · Art · Technology
Referents International experts
The discussion is on a global scale. Participants will engage in dialogue with the international avant-garde and decode signs of the future. Throughout the year, artists Heather Dewey-Hagborg (United States), Juan Cortés (Colombia) and Daniel Canogar (Spain – United States) will join the platform.
2025: Heather Dewey-Hagborg / Juan Cortes / Daniel Canogar
Heather Dewey-Hagborg (United States)
Heather Dewey-Hagborg is a New York-based artist and biohacker interested in art as research and technological critique. Her controversial biopolitical art practice includes the Stranger Visions project, in which she created portrait sculptures from the analysis of genetic material (hair, cigarette butts, chewed gum) collected in public spaces.
Masterclass: ““Intimate Genomics”
Juan Cortes (Colombia)
Juan Cortés graduated in Fine Arts with a specialization in audiovisual media from the Universidad de los Andes in 2012. His work focuses on the intersection between art, science and nature, exploring natural phenomena and invisible forces through installations, recordings and concert pieces.
Masterclass – Juan Cortes
Daniel Canogar (Spain - United States)
Born in Madrid (1964) to an American mother and a Spanish father, Daniel Canogar's life and career have been divided between Spain and the United States. Photography was his first medium of choice, although he soon became interested in the possibilities of projected images and artistic installations.
Masterclass – Daniel Canogar
2024: Marcela Armas / Oscar Santillan / Monica Bello
Marcela Armas (México)
She addresses art in connection with science, technology, alchemy, healing, and community. It explores the relationship between matter and technology, understood as a sociocultural construct. It articulates technologies, transmedia dialogues, and community processes.
Masterclass "Elusive Languages of the Earth: Approaches to an Ethics of the Mineral World"
Marcela Armas at Fundación Andreani
Ph: Rodrigo de la Fuente
Oscar Santillán (Ecuador/Netherlands)
Artist and founder of the ANTIMUNDO studio. His practice emerges from the idea of a cybernetic matrix where science, fiction, and non-human perspectives intersect.
Masterclass “The Interspecies Virtual Machine”
Oscar Santillán at Fundación Andreani
Ph: Rodrigo de la Fuente
Monica Bello (Spain / Switzerland)
Curator and art historian focused on the intersections between disciplines and the meeting of culture, science, and society. She designs art programs and is responsible for the artist residencies and exhibitions at the European Laboratory for Particle Physics in Geneva.
Masterclass "Curating Art and Science: Challenges of Interdisciplinary Work in Contemporary Culture"
Mónica Bello at Fundación Andreani
Ph: Rodrigo de la Fuente
2023: Rafael Lozano Hemer / Guto Nóbrega / Maurice Benayoun
Rafael Lozano Hemmer (Mexico/Canada)
Mexican-Canadian artist working with ideas from architecture, technology, and performance. His participatory public art has been commissioned for events such as the European Union Expansion in Dublin (2004), the Tlatelolco Massacre Memorial in Mexico City (2008), the Vancouver Olympics (2010), the Roman Theater of Raurica in Basel (2018), and the Memorial for Covid Victims at the Brooklyn Museum (2021).
Rafael Lozano Hemer at Andreani Foundation
Ph: Rodrigo de la Fuente
Guto Nobrega (Brazil)
Post-Doctor from UnB, Art and Technology line of PPGAV/UnB (2019), he holds a PhD (2009) in Interactive Arts from the Planetary Collegium Post-Graduate Program, University of Plymouth, UK, where he conducted research under the direction of Prof. Roy Ascott. He is an artist, researcher, Master in Communication, Technology and Aesthetics from ECO-UFRJ (2003) and a degree in Engraving from EBA/UFRJ (1998).
Guto Nóbrega at Fundación Williams
Ph: Rodrigo de la Fuente
Maurice Benayoun (Algeria)
Born in Mascara, Algeria, he is a contemporary new media artist, curator, and theorist based in Paris and Hong Kong. His work employs various media, including (and often combining) video, computer graphics, immersive virtual reality, the Internet, performance, EEG, 3D printing, large-scale urban media art installations, and interactive exhibitions. Often conceptual, his work constitutes a critical investigation of the mutations in contemporary society induced by emerging or newly adopted technologies.
Maurice Benayoun at Fundación Williams
Ph: Rodrigo de la Fuente
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